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Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

Some anniversaries are hard to celebrate. How should we greet the arrival of October, a year after the stories broke initiating the reckoning that soon became known as #MeToo? Since The New York Times and The New Yorker published their exposés — on Oct. 5 and Oct. 10 of last year, respectively — of Hollywood producer Harvey Weinstein's long career as an alleged serial rapist, a new nationwide discussion has formed about sexual assault, abuse and harassment. Often, this ongoing reckoning feels like not a dialogue, but a war.

The story of how Tanya Blount and Michael Trotter met, wooed, married and became The War and Treaty says so much about our present moment. She began her music career as a teenage R&B ingenue, navigating the ups and downs of the music industry with resilience and sharp wits. He discovered his musical gifts as a soldier in Iraq and became a kind of spiritual advocate for fallen soldiers, composing songs about them for their memorial services.

Last night in Nashville's CMA Theater, Miranda Lambert described Pistol Annies' work dynamic as a rolling slumber party. But — to turn a phrase that is, as Lambert herself might say, corny as hell — these women are wide awake.

The Reverend Al Green has long showed music lovers what it means to be blessed by the presence of a great voice. That is, Green's sporadic relationship with the music world beyond the Full Gospel Tabernacle Church in Memphis, where he's preached most Sundays since 1976, shows us in no uncertain terms that the person doing the blessing is the owner of the golden pipes fans cherish.

It's easy to love, worship and seek to emulate Joni Mitchell – but it's not so easy to pay proper tribute to her. That's why celebrations centered on her music are so fun. They challenge each performer, usually a besotted Joni devotee, to engage her tricky rhythms and find footing in her sometimes octave-jumping melodies; to parse her words — those phrases piercing through the particular into the universal — without slavishly imitating her Canadian cadences.

Prince is everything. Yes, I'm using a meme-ably meaningless phrase to describe the most fascinating artist to reign during my lifetime, but it's nearly factual for the Purple One: the intense reconsideration so many listeners have given his work since his death in April 2016 continues to reveal new facets of his genius and his work's cultural importance.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

The Detroit Free Press issued a stern directive to fans and would-be Instagram influencers gathering this week to commemorate Aretha Franklin in her hometown. "Remember," admonished staffer (and occasional NPR contributor) Rochelle Riley in her Tuesday column, "We will treat this like church." No selfies are allowed with Franklin's gold-plated coffin, as she lay in repose at the Charles H.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

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