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Felix Contreras

Felix Contreras is host of Alt.Latino, NPR's program about Latin Alternative music and Latino culture. It features music as well as interviews with many of the most well-known Latino musicians, actors, film makers and writers.

Previously, Contreras was a producer and reporter for NPR's Arts Desk and covered, among other stories and projects: a series reported from Mexico introducing the then-new musical movement called Latin Alternative; a series of stories on the financial challenges facing aging jazz musicians; and helped produce NPR's award-winning series 50 Great Voices.

He once stood on the stage of the legendary jazz club The Village Vanguard after interviewing the club's owner and swears he felt the spirits of Coltrane and Monk walking through the room.

Contreras is a recovering television journalist who has worked for both NBC and Univision. He's also a part-time musician who plays Afro-Cuban percussion with various jazz and Latin bands.

For those that don't know their Latin music history as well as they should, it's easy to write off José Feliciano as just the guy who wrote and sang that Christmas song "Feliz Navidad." Maybe they'd be aware that he also wrote and performed the theme song to 1970's NBC sitcom Chico and the Man.

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DAVID GREENE, HOST:

Let's remember this morning how Havana sounded back in the 1950s and 1960s.

(SOUNDBITE OF MUSIC)

There's so much joy in the sound of the Hammond organ, especially for those of us of a certain age. Hearing it can transport you to the early '70s, when every rock band seemed to have one in its arsenal: The Allman Brothers, Santana, Deep Purple. In the hands of true masters — like the late Billy Preston and the very-much-alive Booker T. Jones — the organ can be a melodic, funky rhythm machine.

Historic Panart Records sessions have been remastered and collected in a new five volume set. The Complete Cuban Jam Sessions were recorded at various locations around Havana from 1956 to 1964 for the historic Cuban label Panart Records. The five volume collection includes the definitive must-haves among Cuban jazz aficionados, Cuban Jam Sessions in Miniature "Descargas" by Cachao Y Su Ritmo Caliente.

Magos Herrera's talent refuses to be limited by genre. The Mexico-born artist is generally considered a jazz singer, but has also taken on Brazilian-influenced pop and Mexican rock. On her latest effort, Herrara partnered with the string quartet Brooklyn Rider to create the classically-inspired, and culturally relevant album Dreamers.

Unless you've experienced it, it's difficult to fathom just how intense the power of a Category 4 hurricane is. And to get slammed by two in less than a month?

Latino Heritage Month (Sept 15. -Oct. 15) is the perfect time to use our Spotify playlist to highlight the width and breadth of Latinx musical expression.

The five women on this week's list couldn't be any more different from each other in terms of style: An electronic pioneer from Argentina; a Brazilian jazz vocalist; our favorite Chilean rapera/soul singer; a Spanish flamenco-inspired pop vocalist; and a Mexican vocalist so versatile it's impossible to pin her down to one genre.

It's bee a while since Alt.Latino has published an all Spanish podcast and we were way overdue. And what an artist to start with: La Dame Blanche is a cigar-smoking, classically trained flutist who is making a name for herself as a rapera in the ever expanding and fascinating world of Cuban hip-hop.

Alejandro Escovedo has carved out a very special place for himself in the music world. He established unimpeachable punk cred when his 1970's punk band The Nuns opened for the Sex Pistols at its infamous last stand at San Francisco's Winterland Ballroom.

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