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"Who are you and why are you calling me?" According to Dawn Landes, that's what Country Music Hall of Famer Fred Foster said when she rang him up out of the blue and asked Foster to produce her new album. Foster founded Monument Records, he signed Dolly Parton and he produced most of Roy Orbison's hits in the 1960s. These days, he's in his late eighties and mostly retired.

Sponsored by the Americana Music Association, the 19th annual Americana Music Festival & Conference features a broad range of music showcases from diverse musicians in alt-country, roots-rock, bluegrass, R&B, blues and folk as well as dozens of day time industry panels.

Pyotr Verzilov, a prominent member of the Russian art and activist collective Pussy Riot, is suspected to have been poisoned in Moscow on Tuesday, according to the group and local media.

It was Jason Isbell and The 400 Unit's night to shine at the annual Americana Honors and Awards show Wednesday night at the Ryman Auditorium in Nashville.

Isbell and his band walked away with three of the night's biggest awards: Album of the Year for The Nashville Sound, Song of the Year for "If We Were Vampires," and Duo/Group of the Year.

John Prine was named Artist of the Year, while Tyler Childers won the always competitive Emerging Artist of the Year category.

Precocity has long been a defining feature in the career of Christian Sands. Growing up around New Haven, Conn., he was a boy wonder on piano; by his early teens he was a protégé of the eminent jazz educator Dr. Billy Taylor.

The Reverend Al Green has long showed music lovers what it means to be blessed by the presence of a great voice. That is, Green's sporadic relationship with the music world beyond the Full Gospel Tabernacle Church in Memphis, where he's preached most Sundays since 1976, shows us in no uncertain terms that the person doing the blessing is the owner of the golden pipes fans cherish.

Metric's Emily Haines rarely sticks with one sound for long, whether she's wallowing in the radiant miserablism of her solo records or revving up effervescent synth-pop floor-fillers on her band's 2015 album Pagans in Vegas. On the new Art of Doubt, Metric takes another welcome hard turn — this time back into spiky, guitar-driven rock and roll.

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