WRUR 88.5 Different Radio

Bob Boilen

We have some new weekend shows and shows moved times recently, so we thought to put the changes in a quick note. As always, you can check out the current schedule at https://www.wrur.org/schedule

We have some new weekend shows and shows moved times recently, so we thought to put the changes in a quick note. As always, you can check out the current schedule at https://www.wrur.org/schedule

You Tube/NPR

This year's Tiny Desk Contest was unlike any other. Amid lockdowns, social distancing guidelines and ongoing adjustments to daily life, over 6,000 dedicated unsigned artists sent in their songs in the hopes of performing a Tiny Desk concert.

YouTube

This year's Tiny Desk Contest was unlike any other.

This year, I was blown away by the Tiny Desk Contest entries I saw. We received over 6,000 entries from all across the country. We saw tiny desks up on rooftops and down on a subway platform; tucked into treetops, pickup trucks and laundromats. We heard songs about the situations that make life difficult and the people that make life worth living.

Choosing different mics to capture a variety of instruments is an art form. There are countless options at different price points and there are no right answers. EQ adjustments to treble, bass and midrange frequencies can make an inexpensive mic sound good. Mic placement can change the sound dramatically. Whenever I'm not sure how to record an instrument, I move my head around until it sounds nice, then I replace my head with a mic. (Trade secret!) Also, what does the room sound like where you're recording?

Full disclosure: We here at NPR Music have decreed Natalie Prass something of a patron saint for roséwave — our groove-laden, pink drink-soaked soundtrack for the summer. So, when the Richmond, Va. artist arrived at the Tiny Desk, it was a cause for celebration, especially amid the January blues that seemed to permeate the NPR Music office.

In many ways, the traditions of flamenco and jazz could not be further apart, but in the hands of a few Spanish jazz musicians, these two worlds commingle and find common ground. Antonio Lizana is one such musician, both a saxophonist and vocalist with one foot firmly planted in each tradition. As a vocalist he has mastered the Moorish, note-bending improvisations that make flamenco singing so beguiling, while the fluidity of ideas he expresses as a saxophonist place him in the time-honored tradition of composing while playing.

They came, they measured, and they returned to perform a show like no other. It was the great NPR Tiny Desk Takeover by Blue Man Group.

If you've not seen this performance ensemble and their production in New York, Las Vegas, Orlando, Boston, Chicago or Berlin, then you've missed a night of magical fun. These Blue Men may never say a word, but the performances make for poignant looks at who we are as humans. They also make unusual music on instruments of their own design.

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