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Lourdes Garcia-Navarro

Lulu Garcia-Navarro is the host of Weekend Edition Sunday and one of the hosts of NPR's morning news podcast Up First. She is infamous in the IT department of NPR for losing laptops to bullets, hurricanes, and bomb blasts.

Before joining the Sunday morning team, she served as an NPR correspondent based in Brazil, Israel, Mexico, and Iraq. She was one of the first reporters to enter Libya after the 2011 Arab Spring uprising began and spent months painting a deep and vivid portrait of a country at war. Often at great personal risk, Garcia-Navarro captured history in the making with stunning insight, courage, and humanity.

For her work covering the Arab Spring, Garcia-Navarro was awarded a 2011 George Foster Peabody Award, a Lowell Thomas Award from the Overseas Press Club, an Edward R. Murrow Award from the Corporation for Public Broadcasting, and the Alliance for Women and the Media's Gracie Award for Outstanding Individual Achievement. She contributed to NPR News reporting on Iraq, which was recognized with a 2005 Peabody Award and a 2007 Alfred I. duPont-Columbia University Silver Baton. She has also won awards for her work on migration in Mexico and the Amazon in Brazil.

Since joining Weekend Edition Sunday, Garcia-Navarro and her team have also received a Gracie for their coverage of the #MeToo movement. She's hard at work making sure Weekend Edition brings in the voices of those who will surprise, delight, and move you, wherever they might be found.

Garcia-Navarro got her start in journalism as a freelancer with the BBC World Service and Voice of America. She later became a producer for Associated Press Television News before transitioning to AP Radio. While there, Garcia-Navarro covered post-Sept. 11 events in Afghanistan and developments in Jerusalem. She was posted for the AP to Iraq before the U.S.-led invasion, where she stayed covering the conflict.

Garcia-Navarro holds a Bachelor of Science degree in international relations from Georgetown University and an Master of Arts degree in journalism from City University in London.

Growing a mustache. Teaching a girl to dance. Lying in bed on a rainy morning.

These are the everyday daydreams of Wachito Rico, the titular character at the heart of Boy Pablo's new album.

And they're not far off from the real life of Nico Muñoz, the 21-year-old Chilean-Norwegian musician behind Boy Pablo.

United States politicians are no strangers to using unkind language against their opponents. It's a trend that dates back to at least 1800 when, during the presidential campaign, Thomas Jefferson hired James Callender to slime John Adams. But Alexander Theodoridis, who teaches political science at the University of Massachusetts Amherst, says that today's partisanship can lend itself to particularly dehumanizing language not only between political opponents, but also between regular Americans who belong to opposite political parties.

Imagine being able to lay down your burdens and fly away from Earth — to a place of harmony, where discrimination is left behind. That dream is the basis of the song "Blackstronauts" by Britton & The Sting, a standout entry in this year's Tiny Desk Contest. Britton Smith, who wrote the song, tells Weekend Edition he wrote "Blackstronauts" while thinking about one particular burden: the need for affirmation.

Linda Ronstadt — the chart-topping, Grammy- and Emmy-winning Rock & Roll Hall of Famer — is due to be honored again this week. This time, she'll receive a Hispanic Heritage Award, in recognition both of her pop music and her smash-hit mariachi albums. Ahead of the virtual ceremony, which will be broadcast by PBS on Oct. 6, she joined NPR's Lulu Garcia-Navarro to talk about the role of her Mexican-American identity in her career and what music she's been listening to lately.

This year's Tiny Desk Contest wrapped up at the beginning of August with the announcement of our winner, Linda Diaz, and her song "Green Tea Ice Cream." But NPR Music's panel of judges saw over 6000 entries from around the country, and there was more than one incredible submission.

When cases of the coronavirus spiked in March, doctors and nurses across the country found themselves overwhelmed with work. The shutdown also took away an important creative outlet for a special breed of medical professional: classical musicians. That's why John Masko, a symphony conductor in Boston, founded the National Virtual Medical Orchestra, giving those in the medical field a chance to perform and connect with each other.

"I kept hearing from musician after musician from our ensemble [about] how much they wish they were playing," Masko says.

Humans have never been particularly good at eradicating entire viruses, and COVID-19 might not be any different.

Koko Kondo was 8 months old and with her mother when the first atomic bomb hit her home city of Hiroshima on Aug. 6, 1945. Her father, Methodist minister the Rev. Kiyoshi Tanimoto, had left earlier that morning.

"Suddenly, the whole house crashed," Kondo recounts. She was trapped beneath the rubble with her mother.

So many of us do it: You get into bed, turn off the lights, and look at your phone to check Twitter one more time.

You see that coronavirus infections are up. Maybe your kids can't go back to school. The economy is cratering.

Still, you incessantly scroll though bottomless doom-and-gloom news for hours as you sink into a pool of despair.

As the number of new coronavirus cases spikes in several states across the U.S., governors, county officials and business owners have been crafting laws and guidelines that mandate the use of face masks to help prevent the spread of the virus.

But even a simple cloth face covering has become political.

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