WRUR 88.5 Different Radio

Stephen Kallao

There's something intriguing about how much drama can go into great albums. Sometimes it ends partnerships, sometimes it fuels them. For Nick Sanborn and Amelia Meath of Sylvan Esso, the friction is essential to what makes their creative collaboration tick.

I want to chill like Billy Strings is chilling. Sitting in front of a tapestry on his couch at his home in Nashville, the bluegrass all-star has a truly down-to-earth attitude about things. He tells me about restoring his old Chevrolet Chevelle, the silence and solitude of his favorite fishing spot, and his bluegrass-can-be-anything attitude.

Fall is upon us and World Cafe's Nashville correspondent, Ann Powers of NPR Music, is back to give you a rundown of her favorite end of summer releases to come out of the Music City this month.

Today we've got a mini-concert with the up and coming duo, Carolina Story. Before we get to that, we introduce you to the newest member of the World Cafe team, Jessie Scott. Jessie's joining us from WMOT in Nashville, and you might have heard one of her interviews on the show before, but it was time for a proper introduction.

Things are very different in 2020, and maybe David Longstreth had a hunch when he started work on the new project from the Dirty Projectors, a band with a lineup that has consistently rotated around him over the last 20 years. They jettisoned the traditional album format for a series of five EPs.

Sitting down over Zoom to chat from her home in Murray, Ky., S.G. Goodman's got her dog by her side and seltzer in her cup.

The sounds of Los Angeles band Triangle Fire may not be the first thing that comes to mind when you hear the term "Latin music." But KCSN's The Latin Alt program director Byron Gonzalez defines Latin Alternative as "nothing from the mainstream."

Today we're sharing an incredible story that Mikel Jollett, the lead singer of The Airborne Toxic Event, has chronicled both in the written word and in song. Jollett had a pretty dramatic childhood: He was born into a cult called Synanon and had to go on the run with biological mother.

Growing up, my parents would make the drive from Chicago to my grandmother's house in Waukon, Iowa (population: just over 3,000) for visit. While in town, I distinctly remember the only sounds we'd hear in that tiny house: The only radio station played all classic country, all day long.

The first time I heard Katie Pruitt's song "Loving Her," I was taken aback by the very first line you hear: "If loving her's a sin, I don't want to go to heaven." That's a powerful declaration from a singer-songwriter. It's especially powerful coming from a gay artist raised in the South without much precedent and with very few role models to follow.

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